Petula Clark

Petula Clark, CBE (born November 15, 1932), is an English singer, actress and composer, best known for her upbeat popular international hits of the 1960s. With nearly 70 million recordings sold worldwide, she is the most successful British female solo recording artist to date. She also holds the distinction of having the longest span on the international pop charts of any artist—51 years—from 1954, when “The Little Shoemaker” made the UK Top Twenty, through 2005, when her CD “L’essentiel – 20 Succès Inoubliables” charted in Belgium.

Early years

She was christened Petula Sally Olwen Clark in Epsom, Surrey. Her father, Leslie Clark, coined her first name, jokingly alleging it was a combination of the names of two former girlfriends, Pet and Ulla. As a child, she sang in the church choir; her first public performances were in a department store in suburban London, where she sang with an orchestra in the entrance hall for sweets and a gold wristwatch. In October 1942, she made her radio debut while attending a BBC broadcast with her father, hoping to send a message to an uncle stationed overseas. During an air raid, the producer requested that someone perform to settle the jittery audience, and Clark volunteered a rendition of “Mighty Lak a Rose” to an enthusiastic response in the theatre. She then repeated her performance for the broadcast audience, launching a series of some 500 appearances in programmes designed to entertain the troops. In addition to her radio work, Clark frequently toured the UK with fellow child performer Julie Andrews. She became known as “Britain’s Shirley Temple” and was considered a mascot by both the RAF and the United States Army, whose troops plastered her photos on their tanks for good luck as they advanced into battle. ^[1]

With Sid Field in the film London Town, 1946

In 1944, while performing at London’s Royal Albert Hall, Clark was discovered by film director Maurice Elvey, who cast her as an orphaned waif in his weepy war drama Medal for the General. In quick succession, she starred in Strawberry Roan, I Know Where I’m Going, London Town, and Here Come the Huggetts, the first in a series of Huggett Family films similar to the Andy Hardy movies popular in the States. Although most of the films she made in the UK during the 1940s and ’50s were grade-B, she did have the opportunity to work with Anthony Newley in Vice Versa (directed by Peter Ustinov) and Alec Guinness in The Card, considered by many to be a minor classic of British cinema.

In 1946, she launched her television career with an appearance on a BBC variety show, Cabaret Cartoons, which led to her being signed to host her own afternoon series, titled simply Petula Clark. A second, Pet’s Parlour, followed in 1949. In later years, she would star in This is Petula Clark (1966) and The Sound of Petula (1972-74).

In 1949, Clark branched into recording with her first release, a cover of Teresa Brewer’s “Music! Music! Music!,” in Australia. Her father, whose own theatrical ambitions had been thwarted by his parents, teamed with Alan A. Freeman to form their own label, Polygon Records, in order to better control her singing career. She scored a number of major hits in the UK during the 1950s, including “The Little Shoemaker” (1954), “Majorca” (1955), “Suddenly There’s a Valley” (1955) and “With All My Heart” (1956). Although Clark released singles in the US as early as 1951 (the first was “Tell Me Truly” b/w “Song Of The Mermaid” on the Coral label), it would take thirteen years before the American record-buying public would discover her.